By Amara Thornton
Over the course of two afternoons sometime in 2015, I wandered around the shelves of the PEF’s Library. I’d been there many times before, for meetings and archive research. But this time I came as a browser, my eyes scanned the spines as I paced round the room. I was focused on finding archaeologists’ popular publications. It was the subject of my postdoctoral research, now published as my first book, Archaeologists in Print: Publishing for the People (UCL Press).
Archaeologists in Print details the history of popular archaeology publishing in Britain roughly between the 1870s and the 1970s. It focuses on the books that British archaeologists produced for a non-scholarly audience, how these came to publication, and how archaeologists built a public presence in order to commodify their archaeological experience in popular formats. For the most part, the archaeologist-authors featured in Archaeologists in Print were working in the Eastern Mediterranean and Middle East. Names familiar to PEF members and friends (and represented on the Library shelves) are among those included: Flinders Petrie, David George Hogarth and John Garstang, for example. Women, including Mary Brodrick, Annie Quibell, Margaret Wheeler and Dorothy Mackay, were equally active in archaeology as these more famous men, not only in excavation, but also in promotion and public archaeology, particularly through tours and guidebooks. They are highlighted in Archaeologists in Print both in a specific chapter, “The Women Who Did”, and deliberately integrated throughout the book.
Archaeologists in Print is comprised broadly of two parts. The first part is an overview, charting how archaeologists were defined through education, training, and experience (especially travel-related), revealing the role of newspapers and compendiums in enhancing archaeologists’ public visibility as experts, and examining how books were marketed through series, circulating and public libraries, and bookshops. The second part focuses on three important publishing houses: John Murray, Macmillan & Co, and Penguin. It details the rich histories to be found in publishers’ archives, and evaluates the careers and books of a number of different archaeologists who published with these companies. The book ends with an exploration of archaeology in fiction, concentrating on three genres: romance, horror/fantasy, and crime.
I thoroughly enjoyed my foray into the fascinating history of popular archaeology publishing, and discovering some unexpectedly fruitful archives along the way. I hope you enjoy reading it as much as I enjoyed the writing and research!
Archaeologists in Print: Publishing for the People can be downloaded as an open access pdf free from UCL Press: http://www.ucl.ac.uk/ucl-press/browse-books/archaeologists-in-print
Paperback and hardback copies are also available for purchase.